Explorations is an extraordinary example of the reach and breadth of this trio at its peak.One of the most famous and influential jazz pianists of the 20th century, Bill Evans formed the acclaimed piano trio in 1959, along with bassist Scott LaFaro and drummer Paul Motian.Evans focus in this trio was jazz standards and original compositions, with an emphasis on interplay among the band members that often bordered on collective improvisation and blurred the line between soloist.
Portrait in Jazz is an album by Americanjazz pianist Bill Evans, released in 1960. Personnel History edit Eight months after his successful collaboration with Miles Davis on the album Kind of Blue, Evans recorded Portrait in Jazz with a new group (the Bill Evans Trio) that helped change the direction of modern jazz. Most noticeably, LaFaros bass is promoted from a mere accompanying instrument to one of almost equal status to the piano (though not to the extent that it would be on later albums such as Sunday at the Village Vanguard ). It is one of Evans more up-tempo and swinging albums (the presence of several ballads notwithstanding). Reception edit Professional ratings Review scores Source Rating Down Beat (Original Lp release) 1 Allmusic 2 Mojo (no rating) 3 Encyclopedia of Popular Music 4 Reviewing it for Allmusic, music critic Scott Yanow wrote of the album. LaFaro and Motian were nearly equal partners with the pianist in the ensembles. A gem. 2 Danny Eccleston of Mojo wrote: Portrait In Jazz - Evans fifth record as a band leader - gets you every which way. But what makes Evans extra-extra-special is the way his playing drags you in and shares the vulnerability at its core. Portrait in Jazz Review. Allmusic. Retrieved June 28, 2011. Mojo. Archived from the original on May 22, 2011. Encyclopedia of Popular Music (4th ed.). Oxford University Press. External links edit Retrieved from Bill Evans Trio Explorations (19612011) FLAC (tracks) 24 bit96 kHz Time 60:06 minutes 1,1 GB Genre: Jazz Studio Master, Official Digital Download Artwork: Digital booklet Label: Original Jazz Classics The second album by the original Bill Evans group was recorded after the pianist, bassist Scott LaFaro, and drummer Paul Motian had spent a year working together and honing the telepathy that established a new standard for trio interaction. Bill Evans Portrait In Jazz Rar Zip Plus Three CompositionsFeaturing intimate readings of several standards, plus three compositions from the jazz world that became synonymous with the trios sounds, and with ample space for LaFaros virtuosity to shine, the album was cited by Evans years later as among his own favorite recordings. With an excellent performance of The Boy Next Door (omitted from the original release for lack of space) and an alternate take of Beautiful Love, this edition of Explorations contains all of the music preserved by one of jazzs seminal bands on its final visit to a recording studio, plus two previously released alternate takes. ![]() ![]() Most musicians were issuing two, three, and even four records a year during the same era. Many speculate on Evans personal problems at the time, but the truth of the matter lies in the recordings themselves, and Explorations proves that the artist was worth waiting for no matter what else was going on out there. Evans, with Paul Motian and Scott LaFaro, was onto something as a trio, exploring the undersides of melodic and rhythmic constructions that had never been considered by most. For one thing, Evans resurrects a number of tunes that had been considered hopelessly played out, and literally reinvents them How Deep Is the Ocean and Sweet and Lovely. His harmonic richness that extends the melodic and color palette of these numbers literally revived them from obscurity and brought them back into the canon. He also introduced Haunted Heart into the jazz repertoire, with a wonderfully impressionistic melodic structure, offered space, and depth by the understatement of Motian and extension by LaFaros canny use of intervals. Also noteworthy is Miles Davis Nardis, which Evans first played on a Cannonball Adderley set a couple of years before. Bill Evans Portrait In Jazz Rar Zip Series Of ArpeggiosThe rhythmic workout by the Motian and LaFaro places Evans own playing in a new context, with shorter lines, chopping up the meter, and a series of arpeggios that open the ground for revelatory solo in counterpoint by LaFaro.
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